The only criticism that exists of Young Guns is this: they may be too good.
Their first full-length album has all the fury of Funeral for a Friend's early releases, along with the drama of Chiodos's All Well That Ends Well; yet it lacks that raw naivety of a band beginning to explore the possibilities of recording. Despite the band's youth, All Our Kings Are Dead is an utterly flawless album, the fruit of five musicians who work together perfectly.
Perhaps this is due to the fact that Young Guns have been perfecting their sound since 2003, making adjustments in the line up and band name as well as the music itself. Or perhaps it's down to their ferocious touring, which has seen them share a stage with established bands All Time Low and The Blackout on the Kerrang! Tour earlier this year, as well as support slots with Lost Prophets and Taking Back Sunday.
It may be that their polished sound won them these impressive shows, rather than being born of it. Whatever the cause and effect, Young Guns set themselves apart from all these other names with an edgier style that has echoes of classic rock in its blistering riffs and uplifting messages. The most memorable track is 'Weight of the World', with its catchy, evocative chorus and the rousing crescendo of drums which long-standing fans will no doubt remember from live performances or last year's EP release Mirrors. Its difficult to limit this list to just a few, but highlights include singles 'Sons of Apathy', the heartfelt call to arms against indifference and 'Crystal Clear', a song which insists giving up is never an option.
All Our Kings Are Dead is proof that Young Guns are at least as talented and unique as their peers. The only question is: can they keep up the good work?
